In April 2026, I was part of the curatorial team of TAVISSUPLEBA | Freedom at the FREELENS Gallery in Hamburg, together with photographer Andreas Oetker-Kast.
The exhibition brought together works by 15 photographers documenting the ongoing pro-democracy protests in Georgia. Combining contemporary photographs with
historical images from the 1980s and 1990s, the project highlighted Georgia’s long tradition of civic resistance and its continuing struggle for democracy, freedom, and a European future.
Selected impressions from Lumigraphies: Rêver Cadaqués / Surreal Dreams of Cadaqués by Valmont Achalme — featuring photographs and video excerpts from the exhibition presented during KOLGA TBILISI PHOTO.
Curated by Teona Gogichaishvili in collaboration with Gallery Fotoatelier and AFAI Art Foundation Anagi, the project explored Achalme’s poetic Lumigraphy technique through dreamlike reflections on
light, landscape, and memory inspired by Cadaqués.
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2025
Impressions from the f² Fotofestival 2025
A heartfelt thank-you to all supporters, partners, artists, curators, and guests – the fifth edition of the f² Fotofestival 2025 was truly a highlight!
Over four days, from June 12–15, Dortmund became the stage for powerful, unexpected, and multifaceted explorations of this year’s theme: #CHAOS – a topic more
relevant than ever.
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2025
NEW DYNAMICS TRANSFORMING DIVERSITY / F2 Fotofestival / Dortmund
From collages to installative and performative projects to sculptural works: the NEW DYNAMICS Transforming Diversity exhibition presents the work of 13
international artists who transcend the traditional boundaries of photography. They are dedicated to the tension between chaos and order in the context of migration and cultural identity.
Is chaos merely a destructive force or also a necessary process for change and renewal? How does our understanding of chaos influence the way we deal with migration
and cultural diversity?
In a world characterized by increasing diversity, the exhibition explores questions about the definition of identity and explores the interplay of dichotomous
concepts such as foreign and own, old and new, orderly and anarchic.
PHOTOGRAPHERS & ARTISTS
Giovanna Del Sarto
Serkan Goeren
Jerry Helle
Anja Lautermann and Frauke Berg
Vera Lossau
Andrews Siaw Nubuor
Safiya Seedmother
Byron Smith
Karen Stuke
Mikheil (Mishiko) Sulakauri and Saba Gorgodze
André Ramos-Woodard
CURATION
Teona Gogichaishvili
SCENOGRAPHY
Students of the MA Scenography at the FH Dortmund, supervised by Prof. Martin Middelhauve
Testament ’22 is the debut monograph by photographer Byron Smith, documenting his 10,000-mile journey through war-torn Ukraine during the first year of Russia’s
invasion. Inspired by Ukrainian poet Taras Shevchenko, Smith’s powerful images and portraits capture both the devastation of war and the resilience of the Ukrainian people. The book includes an
essay by Kyiv Independent journalist Igor Kossov and artwork by Victor Onyshshenko. It has received multiple awards and has been exhibited internationally. Smith’s work contributes to documenting
the human cost of war and evidence of Russian war crimes.
With this exhibition as part of our photo
festival in Tbilisi, we wish to express our solidarity with Ukraine and strongly condemn Russia’s war of aggression.
Fleeting Narratives: Street Photos 80s–90s* by Charles Ford will be exhibited for the first time in Tbilisi as part of our photography festival. I met Charles at FotoFest in Houston last year and was
struck by his ability to capture subtle, human moments of everyday life—at once humorous, reflective, and fleeting.
Born in Houston, Charles studied in Texas and California before working in fashion and portrait photography for magazines like Vogue, GQ, and Rolling Stone.
Throughout the 80s and early 90s, he also documented life on the streets with his Leica—images he recently rediscovered and began to share after decades.
Shot entirely on film, this series offers a vivid glimpse into the spontaneity and emotion of street life in that era.
A cultural festival with a focus on: Photography, video, film and music with Andro Dadiani, Anushka Chkheidze, Lars Lindemann, KOLGA TBILISI PHOTO, Irakli Kiziria,
Lizi Gogua, Zurab Tsertsvadze, Lizi Gozalishvili and Chaikhana Media.
Curatorial Team: Mariam Mikadze, Teona Gogichaishvili and Philipp Treudt.
Exhibition project within the framework of the KOLGA TBILISI PHOTO Festival 2024
In recent years, Gregor Sailer has focused on the area around the North Pole. Here, too, it is the extreme excesses of human activity that prompted Sailer to travel
to the far north on several occasions to photograph what remains largely hidden.Five
countries border the Arctic Ocean: Denmark (through Greenland), Canada, Norway, Russia, and the United States. Finland, Iceland and Sweden also have territorial areas. The region is populated by
indigenous peoples, albeit very sparsely due to the severely adverse living conditions. Three maritime routes allow a crossing of the Arctic Ocean, depending on the season and the extent of the
ice cover. But the melting of the sea ice is set to create a shorter trade route in the future, the so-called Polar Silk Road, providing access to new raw material deposits (natural gas and oil).
Countries inside and outside the Arctic are already asserting their claims.During a long preparatory phase Gregor Sailer not only researched those locations that were particularly exciting
thematically, geographically and visually, but he also took on the laborious and often tedious task of obtaining the necessary access authorisations. Armed with the requisite permits and at least
25 kg of photographic equipment, Gregor Sailer repeatedly set out on photographic expeditions of several days to military bases, research facilities, ports, and oil and gas production sites. In
Sailer’s photographs, utopia and dystopia are never far apart. For all their sobriety, these calm and concentrated photographs are nonetheless highly charged with content, yet many of these
places seem like launching ramps to nowhere. There are close ties between Arctic
exploration and the early days of photography. When explorers set out to reconnoitre this unknown region of the world during the second half of the 19th century, photographers were always part of
the expedition. Gregor Sailer is therefore following a long photographic tradition. Here, too, he uses a large-format analogue camera that is not reliant on cold-sensitive batteries. With The
Polar Silk Road, Sailer has pulled off a major photographic achievement which, accompanied by essays by experts from various fields, gives us a deep insight into this region, one that is
extremely important both economically and militarily as well as scientifically.
Exhibition View
2024 / NO FENCE - Borderless Neighborhood
Excerpt from my laudatory speech at the opening of the exhibition of photographer Jennifer Zumbusch:
"In times like these, the meaning of the border takes on a different dimension.After years of striving for unification, at least in Europe, in recent years some
countries and people have been looking for separation and demarcation, for a way to distance themselves from others, from their neighbors, from "the foreigners" in general.But man is not an island, and even a country as an island is not just an island. (...)
Jenny and her family have lived in this special compound for several years. She is part of the community and explores the neighborhood, the people and the places
with her loving photographic eye. (...)
In addition to various portraits of the residents of the estate, Jenny captures everyday moments and combines them with impressions of the surroundings, which are
wonderfully composed in terms of color and graphics and invite the viewer to immerse themselves in this special world. (...)
„No Fence“ is a visual ballad to successful neighborhoods, to the closeness of people from different cultures and backgrounds, encouraging us that peaceful
coexistence is possible even in our turbulent times.
2022 / Hillerbrand+Magsamen, 147 Devices for Integrated Principles
An exhibition project within the framework of Ten by Ten: Ten Reviewers Select Ten Portfolios from the Meeting Place
2020–21 artists
On view: September 26–November 12, 2022
The Silos at Sawyer Yards
1502 Sawyer St., Houston, TX 77007
Hillerbrand+Magsamen’s practice utilizes
collaboration, process and media experimentation through video, photography, installation, sculpture and interdisciplinary performance. They explore their relationships to each other and society
with an uncanny sensibility that merges the real and unreal, blurring boundaries between life and art and often includes their two children, Maddie and Emmett.
Selected by: Teona Gogichaishvili Kolga Tbilisi Photo, Tbilisi, Georgia
About our exhibition "Georgia times differently" in "Bergische Morgenpost" / October 24, 2022
Aus Gerd Krauskopfs Fotoserie für die Ausstellung "Georgien mal anders".
Frauenchor "Qalau" in der Küche mit Lili auf der Panduri, einer dreisaitigen Zupfmuschel-Langhalslaute, und Frauen, die bei der Arbeit in der Küche zu alten
georgischen Volksliedern tanzen.
About our KOLGA TBILISI PHOTO 2022 Festival in "Bergische Morgenpost"
How to be/see a Woman - Guided ScreeningA video project by purpur collective:Teona Gogichaishvili,
Antonia Loick and Inga Schneider
Tbilisi History Museum/GE
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purpur collective:Teona
Gogichaishvili, Antonia Loick, Inga Schneider
Within the framework of the Frankfurt Book Fair -
Guest of Honour Georgia 2018
2018
THE FUTURE IS OURS - German and Georgian Positions on Youth Culture with: David Meskhi, Sera Dzneladze, Carmen Catuti,
Isadora Tast, Sandra Stein, Nicola Wilke and Stephan Lucka, Fabian Weiß, Dina Oganova, Giorgi Nebieridze
Curatorial Team: Teona Gogichaishvili & Inga Schneider